卡
搜索"卡" ,找到 554部影视作品
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Ernesto Pagano
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估值10亿美元的150件展品,一场横跨欧美大陆的盛大巡展,在埃及法老图坦卡蒙之墓重见天日100周年之际,纪录片《图坦卡蒙之墓:最后的展览》记下了即将关闭在身后的世界。 1922年,英国的卡那封勋爵和考古学者霍华德·卡特发现了尘封3000年的图坦卡蒙墓,摄影师哈利·伯顿在现场拍摄了精彩的黑白照片,还原陵墓发掘过程;加上当代摄影师桑德罗·瓦尼尼的海量高清照片,充分呈现墓中令人惊叹的5400多件物品。这是考古史上发现的陪葬品最为丰富的埃及陵墓,金面具、护身符、陪葬床、安度冥河的船只、护卫军队……这像是浩大兵器库与华丽妆奁的合体,陪伴着法老的永生之旅。 图坦卡蒙9岁成为法老,却在19岁那年暴毙,很快湮灭在历史的长河中;当3000年后霍华德·卡特念出图坦卡蒙的名字,就仿佛从未知世界召唤回了他,赋予新的生命。如今法老王启程前往来世,分享旧日见闻,就让我们跟随镜头,伴随他的世界巡游。
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汤米·李·琼斯
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美国德州与墨西哥接壤的边陲小镇,这里向来就是是非之地,因为这里充斥着从墨西哥进入美国非法的入境者,毒品、枪支也在这里泛滥。艾斯卡达(胡立欧•赛萨瑟迪罗 Julio Cedillo 饰)是从墨西哥来的移民,在当地一家农场当牛仔,正直善良的他很快和农场管家皮特(汤米•李•琼斯 Tommy Lee Jones 饰)成了好朋友。 岂料这天艾斯卡达失踪了,很快他的尸体被发现了,当地的警察把他葬在了当地。因为艾斯卡特生前曾托付皮特如果他死于他乡一定要将他的尸体运回故里安葬,所以皮特开始了他生平最大的一次冒险。一方面,他誓要找出杀害好友的真凶;另一方面,他要触犯当地法律千里运尸。
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山内重保,长峰达也,伊藤尚往,玉川达文,木村延景,羽多野浩平
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人类制造出了机器人作为他们的帮手,但机器人却最终背叛了人类,夺走了地球的统治权。就在人们被逼的走投无路之时,一位名叫露娜(矢岛晶子 配音)的少女成为了他们最后的希望。邪恶的机器人统领布莱金(内海贤二 配音)感受到了露娜所带来的威胁,派出了强大的机器人杀手追杀露娜,卡夏(古谷彻 配音)就是其中之一。最终,露娜死在了卡夏的手上。 露娜死后,整个世界开始迅速的衰败,一晃眼数百年过去,无论是人类或是机器人,都早已经不复存在。就在此时,卡夏再度现身,只是此时的它已经失去了曾经的记忆,在黑暗和混沌之中只剩下迷惘。
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卡拉·古铁雷斯
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内详
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入围圣丹斯电影节美国纪录片竞赛。 An intimately raw and magical journey through the life, mind, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary, revealing letters, essays, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork.
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克里斯蒂娜·廷科维奇
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Anna is a 35-year-old single mother and a paramedic. One morning, as Anna is on the way to drop her daughter Katia at school, Katia is hit by a car. While her daughter is in a coma, Anna is informed that the driver was 18-year-old Marina, the daughter of a rich family. Marina’s mother is running for mayor and is willing to pay whatever to sweep the situation under the rug. The deal between the two parts is signed, yet is soon set off the table when the young girl suddenly dies. Anna turns her grief into a search for justice, a fight against courts, police, and the hospital she works for. When Marina is found not guilty, Anna realizes that it’s not just the rest of the world that has let her down, but her own family as well. Now her quest for justice gradually becomes a quest for revenge…
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伊莎贝拉·爱卡洛芙
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Problematic father figures and a pill-pushing doctor lead a Danish man into darkness in Isabella Eklof's powerful drama echoing with colonial conflict. Jan is on the run from himself and his traumas after being sexually abused by his father. Now he lives with his family in Nuuk, Greenland, where he works as a nurse and does his best to assimilate into the local community. However, his past catches up with him through a letter from his now dying father, plunging him into a downward spiral of drugs and extramarital affairs. Emil Johnsen is captivating in the lead role, portraying Jan as both boyishly fragile and deeply unsettling. Haunted by his own father figure he's reflecting Denmark's paternalistic relationship with Greenland and its population. Isabella Eklof follows up her acclaimed debut (Holiday, GFF 2018) with a courageous exploration of human darkness, based on Kim Leine's autobiography, solidifying her position as one of our most exciting Nordic directors. 源自:https://program.goteborgfilmfestival.se/en/program/kalak
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迪特尔·贝尔讷
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她的情史是一部歐洲藝術史 世人說她是維也納最知名的風流寡婦,從馬勒、葛羅培斯、克林姆至柯克西卡,全都拜倒在她的石柳裙下,她的美麗是男人追尋的繆斯;她的自由奔放、恣意縱情是藝術家創作的泉源,她是古斯塔夫・馬勒的遺孀愛爾瑪・馬勒。馬勒說「一個家只能有一個作曲家」於是她隱藏自己的音樂天分,在婚後扮演賢內助,直到馬勒離世,她仍堅守著「馬勒之妻」的名份。1912年的春天,愛爾瑪邂逅了青年藝術家奧斯卡・柯克西卡並且墜入愛河,傳世鉅作「風中的新娘」於是誕生。然而,在兩人愛得難分難捨之際,愛爾瑪也同時與德國建築師情人華特・葛羅培斯藕斷絲連。周旋在眾情人之間,她熱烈地愛著每一個情人,卻從未有誰能完完全全擁有全部的她。於是,男人對她的癡迷化為創作的養分,在與她相愛的日子裡,他們的藝術生涯也到達了顛峰。





























